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Metal2 songs

Judas Priest Amp Settings & Guitar Tone

1980–1990Standard E3 effectsHigh Gain
Adapt to Your AmpFree — no account needed
aggressivecuttingrawmid-forwardtight

Featured Tone

Painkiller (1990)

Glenn Tipton: Hamer GT Phantom with EMG pickups; K.K. Downing: Hamer Vector / Gibson Flying V with EMG pickups Marshall JCM800 (primary), with rack preamps (Rocktron Piranha, Mesa Boogie TriAxis)

Searing, aggressive, mid-forward high-gain tone with a razor-sharp attack. The EMG 81 pickups provide a tight, compressed signal that the Marshall amps turn into a cutting, precise metal tone. More raw and organic than modern metal — there's a natural Marshall grind with pronounced upper harmonics. Chris Tsangarides' 'vortex technique' adds a subtle phase-like quality to the guitars that gives them width and dimension.

Well-Sourced
View Full Tone

Typical Gear & Settings

Average Amp Settings

Gain
6.5
Bass
5.0
Mid
7.0
Treble
7.0
Presence
7.0

Amplifiers

  • Marshall JCM800
  • Marshall JCM800 (primary), with rack preamps (Rocktron Piranha, Mesa Boogie TriAxis)

Guitars

  • Glenn Tipton: Fender Stratocaster (modified); K.K. Downing: Gibson Flying V
  • Glenn Tipton: Hamer GT Phantom with EMG pickups; K.K. Downing: Hamer Vector
  • Gibson Flying V with EMG pickups

Pickups

  • humbucker
  • active humbucker

Effects & Pedals

wah

Dunlop Cry Baby (1 song)

multi_effects

Rocktron Intellifex / Yamaha SPX90 (1 song)

compressor

Alesis 3630 Compressor (1 song)

Playing Style

palm mutingvibratoalternate pickingwhammy bar

Judas Priest Song Tones

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