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Guitar Amp Settings by Artist

Tone guides for 82 artists covering their signature sound, typical gear, and song-by-song amp settings.

Showing 82 of 82 artists

AC/DC

3 tones · 1979–1990

1970s Marshall 1959 Super Lead 100W

Classic Rock
brightcrispcrunchy

Led Zeppelin

2 tones · 1969–1971

Vox Super Beatle head with Rickenbacker Transonic cabinets

Classic Rock
compressedwarmsmooth

Pink Floyd

2 tones · 1973–1979

Hiwatt DR103 Custom 100 into WEM cabinets

Classic RockProgressive Rock
thicksingingwarm

Jimi Hendrix

2 tones · 1968

Marshall 1959 Super Lead 100W Plexi

Classic Rock
aggressivethickwarm

Cream

1 tone · 1967

Marshall JTM45

Classic Rock
warmdarkthick

Deep Purple

1 tone · 1972

Marshall Major 200W into Marshall 4x12 cabs

Classic Rock
brightaggressivecutting

The Rolling Stones

1 tone · 1965

Fender Twin Reverb (studio)

Classic Rock
brightaggressivecutting

Dire Straits

2 tones · 1978–1985

Fender Vibrolux Reverb

Classic RockRock
warmbrightheavy

Free

1 tone · 1970

Marshall Plexi 50W into 4x12

Classic Rock
warmsinging

Boston

1 tone · 1976

Custom Scholz 'Power Soak' with Marshall and Fender amps

Classic Rock
warmsmooththick

Metallica

11 tones · 1983–1991

Mesa

Hard Rock & MetalThrash MetalHeavy Metal
aggressivetightclean

Black Sabbath

2 tones · 1970

Laney Supergroup LA100BL into Laney 4x12

Hard Rock & Metal
heavythickaggressive

Van Halen

3 tones · 1978–1984

1968 Marshall 1959 Super Lead 100W (Plexi)

Hard Rock & MetalHard Rock
thickcompressedwarm

Guns N' Roses

2 tones · 1987

Marshall JCM 2555 Silver Jubilee 25

Hard Rock & Metal
thickwarmaggressive

Pantera

5 tones · 1990–1996

Randall Century 200

MetalGroove Metal
scoopedtightthick

Iron Maiden

1 tone · 1983

Marshall JCM800 2203 (both guitarists)

Hard Rock & Metal
brightpunchytight

Ozzy Osbourne

2 tones · 1980–1991

Marshall JMP 1959 Super Lead 100W

Hard Rock & Metal
brightthickheavy

Megadeth

2 tones · 1990–1992

Marshall JCM800 2203 (modified)

Hard Rock & MetalThrash Metal
tightpercussivepunchy

Stevie Ray Vaughan

2 tones · 1983

Fender Vibroverb (x2) + Dumble Dumbleland 300 (Jackson Browne's studio amp)

Blues
thickwarmheavy

B.B. King

1 tone · 1969

Fender Twin Reverb (studio)

Blues
warmsmoothdark

Gary Moore

1 tone · 1990

Marshall JCM800 2210

Blues
warmthicksinging

John Mayer

2 tones · 2006–2008

Dumble Overdrive Special

Blues
cleanwarmsinging

Albert King

1 tone · 1967

Fender Twin Reverb

Blues
cleanaggressivecrisp

Derek and the Dominos

1 tone · 1970

Fender Champ (Clapton, cranked)

Blues
brightaggressiveraw

Fleetwood Mac

1 tone · 1968

Fender Twin Reverb

Blues
clean

Nirvana

2 tones · 1991

Mesa

Grunge & Alternative
cleanaggressivedark

Soundgarden

1 tone · 1994

Mesa

Grunge & Alternative
warmheavyclean

Alice in Chains

2 tones · 1990–1992

Bogner Ecstasy

Grunge & Alternative
darkheavythick

The Smashing Pumpkins

3 tones · 1993–1995

Marshall JCM800 2205 (modified with KT88 tubes)

Rock
warmsmoothaggressive

Pearl Jam

1 tone · 1991

Marshall JCM800 (McCready)

Grunge & Alternative
brightsinging

Rage Against the Machine

1 tone · 1992

Marshall JCM800 2205 50W head into Peavey 4x12 cabinet

Grunge & Alternative
crunchyheavyraw

Tool

1 tone · 2001

Diezel VH4

Grunge & Alternative
heavywarmcrunchy

Deftones

2 tones · 1997–2000

ADA MP-1 tube MIDI preamp into Marshall 9200 Dual MonoBlock valve power amp

Grunge & Alternative
aggressiveheavyclean

Foo Fighters

2 tones · 1997–2007

Fender (Zinky) Custom Shop ToneMaster 2x12 100W

Grunge & Alternative
warmcleancrunchy

Green Day

2 tones · 1994–2004

Marshall 1959 SLP Plexi 100W Super Lead 'Pete' with Dookie Mod (Cascading Gain Mod by Martin Golub of Custom Audio Electronics

Grunge & Alternative
brightcrunchyaggressive

Eagles

1 tone · 1976

Don Felder: Fender Narrow-Panel Tweed Deluxe 5E3 (~1955-56, 12W)

Classic Rock
warmcuttingthick

Jeff Buckley

2 tones · 1994

Fender Vibroverb '63 Reissue (Brownface, 1x15, 40W, 6L6 tubes)

Blues
warmcleanthick

Black Label Society (Zakk Wylde)

1 tone · 2003

Marshall JCM800 2203 100W head(s)

Heavy Metal
scoopedaggressiveheavy

Tool (Adam Jones)

1 tone · 1996

1976 Marshall Super Bass Model 1992 JMP 100W (primary) — converted to Super Lead specs by Dave Friedman. Channels jumpered together. JJ EL34 power tubes. Likely blended with Mesa

Progressive Metal / Alternative Metal
heavyscoopedwarm

Arctic Monkeys

1 tone · 2013

Vintage Selmer Zodiac Twin 30 combo (primary) + Magnatone Custom 410 (blended simultaneously)

Alternative Rock / Indie Rock
darkheavy

The White Stripes (Jack White)

1 tone · 2003

Sears Silvertone 1485 'Six Ten' (~120W tube, mid-1960s, by Danelectro) + Fender Twin Reverb (1970s)

Alternative Rock / Garage Rock
warmrawsaturated

Queens of the Stone Age (Josh Homme)

1 tone · 2002

3-amp blend: (1) Ampeg VT-40 tube combo (primary), (2) Peavey solid-state 'Musician' series, (3) Tube Works RT-2100 MosValve hybrid

Stoner Rock / Alternative Rock
heavyscoopedbright

Slipknot (Mick Thomson / Jim Root)

1 tone · 2004

Mick: VHT Pitbull Ultra Lead + Carvin 4x12. Jim: Custom one-off modified Bogner Uberschall (~70% of record) + Bogner Uberschall 'purple mod' blended with Mesa Boogie Mark IIC (~30% of record)

Nu Metal / Alternative Metal
darkthickraw

Korn (Munky / Head)

1 tone · 1994

Debated — most likely Marshall JCM 900 (Munky) + Hughes & Kettner Attax (Head), through Marshall and H&K 4x12 cabinets. NOT Mesa Boogie Rectifiers (those were strictly live rigs).

Nu Metal
aggressiveheavythick

Avenged Sevenfold (Synyster Gates / Zacky Vengeance)

1 tone · 2005

Bogner Uberschall 120W tube head (primary) — early revision made by Reinhold Bogner himself. Mesa

Heavy Metal / Hard Rock
aggressivecuttingscooped

Blink-182 (Tom DeLonge)

1 tone · 1997

Marshall JCM900 4100 (100W, 2-channel) + Mesa

Pop Punk
brightaggressiveheavy

Joy Division

1 tone · 1980

Vox AC30-style amp approximating JMI Vox UL730 character

Post Punk
brightclean

Joe Satriani

1 tone · 1987

Marshall Model 1959 Super Lead 100W head into 4x12 with Celestion G12T‑75 speakers

Instrumental Rock
mid-forwardtight

ZZ Top

1 tone · 1973

1968 Marshall Super Lead 100W (often approximated with JTM45

Blues Rock
thickrawdynamic

My Chemical Romance

2 tones · 2004–2006

Marshall JCM800 2203

Alternative Rock
crunchyaggressivethick

Paramore

1 tone · 2007

Mesa

Pop Punk
brightpunchytight

Muse

1 tone · 2001

Diezel VH4

Alternative Rock
brightfuzzytight

Thin Lizzy

1 tone · 1976

Marshall Plexi 2203

Classic Rock
crispmid-forwardharmonic

Rush

1 tone · 1980

Hiwatt Custom 100

Progressive Rock
cleanglassy

Dream Theater

1 tone · 1992

Mesa

Prog Metal
aggressivescoopedtight

Scorpions

1 tone · 1984

Marshall JCM800

Hard Rock
cuttingtight

Motörhead

1 tone · 1980

Marshall JCM800

Heavy Metal
aggressiveheavyraw

Pixies

1 tone · 1988

Peavey Bandit 65

Alternative Rock
cleanshimmery

My Bloody Valentine

1 tone · 1991

Fender Sidekick 65 + Fender Dual Showman + additional Burman and Fender Showman in special tremolo setup

Shoegaze

Dinosaur Jr.

1 tone · 1994

Marshall Super Bass

Alternative Rock
fuzzy

Eric Johnson

1 tone · 1990

100W Marshall half‑stack for lead tones, approximated here with Fender Twin Reverb-style settings

smooth

System of a Down

1 tone · 2001

Marshall 1959 Plexi

aggressivetightcompressed

The Strokes

1 tone · 2003

Fender Hot Rod

brightcuttingraw

Oasis

1 tone · 1994

Marshall half‑stack (JCM‑type) blended with other amps

heavythick

Lamb of God

1 tone · 2004

Peavey 6505+ (5150-style) high-gain head

scoopedtightsaturated

Steve Vai

1 tone · 1990

Carvin Legacy (Steve Vai signature) or Carvin Legacy 3

smoothsinging

Slayer

1 tone · 1986

Marshall JCM800 2203

rawscoopedtight

Weezer

1 tone · 1994

Mesa

Alternative Rock
warmclean

Radiohead

1 tone · 1993

Vox AC30

Alternative Rock
cleangritty

Judas Priest

2 tones · 1980–1990

Marshall JCM800

Metal
aggressivecuttingraw

The Cure

1 tone · 1987

Roland JC-120

Alternative Rock
brightclean

Avenged Sevenfold

4 tones · 2003–2016

Bogner Uberschall

MetalMetalcoreProgressive Metal
tightthicksaturated

Mick Gordon

2 tones · 2016

Fractal Audio Axe-FX II (amp modeler)

Metal
aggressiverawheavy

Entombed

2 tones · 1990–1993

Peavey Studio Pro 40 (small combo amp)

Metal
rawsaturatedcompressed

Masayoshi Takanaka

2 tones · 1979

Not documented for the 1979 studio recording

Jazz Fusion
cleanwarmbright

Alice In Chains

1 tone · 1994

1960s Fender Twin Reverb

Acoustic Rock

Prince & The Revolution

1 tone · 1984

Mesa

Rock
brightsinging

Opeth

1 tone · 2008

Marshall JVM 410H

Progressive Metal
cleanwarm

Queen

1 tone · 1975

Vox AC30 (vintage 1960s, 2×12 Celestions)

Classic Rock
warmharmonic

Crowbar

1 tone · 2001

Randall RG100ES (120W solid-state)

Sludge Metal
aggressivetight

Duman

1 tone · 1999

Marshall JCM 2000 DSL (Kaan, confirmed from 2003)

Rock
rawgritty

Elliott Smith

1 tone · 1997

Fender Vibrolux Reverb (silverface)

Indie Rock
warmfuzzy

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