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Indie Rock1997Either/Or

L.A. Amp Settings

by Elliott Smith

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Original Recording Settings

Well-SourcedResearched tone data for "L.A." by Elliott Smith

Original Gear

Guitar
Yamaha FG-180 Red Label (1970s acoustic) / Gibson ES-330 (late 1960s, full-hollow, P-90 pickups, Bigsby)
Pickups
Bill Lawrence A-300 (acoustic) / Stock Gibson P-90 (ES-330) (soundhole (acoustic); not specified (electric))
Amplifier
Fender Vibrolux Reverb (silverface) / Top Hat King Royale K-35
Channel
Clean (low volume, edge-of-breakup)
Tuning
D standard (estimated — commonly cited for Smith's acoustic work)
Pickup Selector
n/a

Either/Or was primarily lo-fi home recording — much guitar captured via mic on acoustic or direct through soundhole pickup. Recorded on Tascam 38 (8-track reel-to-reel) and Tascam Portastudio (4-track cassette).

Amp Settings

Gain
4.0
Bass
5.0
Mid
5.0
Treble
6.0
Estimated. Clean-to-edge-of-breakup character at low volumes on Tascam 38. Vibrolux Reverb has no mid control — mid 5 represents natural unaltered midrange. Bass 5 for warmth with P-90s, treble 6 for articulate fingerpicking clarity.

Effects Chain

Digitech TSR 24S
multi-effects
Ibanez AD202
delay
1.Digitech TSR 24SSmith in Tape Op #4: 'one of those boxes that will make any effect that you have the patience to try to program.'
2.Ibanez AD202Pictured in Smith's recording equipment photo from Tape Op.

Playing Technique

Fingerstyle, no pick — Smith chewed his nails short, producing warmer tone without nail attack. Piedmont-influenced picking (thumb for bass, index/middle for melody). Picks close to neck joint for rounder tone. Extensively double-tracked guitars and vocals — signature technique confirmed by Larry Crane.

Sources+
  1. Tape Op #4 (Larry Crane interview with Smith — primary): recording chain, Digitech TSR 24S, double-tracking technique.
  2. Tape Op #118 (Larry Crane liner notes for Either/Or reissue): additional recording context.
  3. Equipboard (Elliott Smith): Yamaha FG-180, Gibson ES-330, Bill Lawrence A-300, Fender Vibrolux, Top Hat K-35.
  4. Mixdown Magazine, Zing Instruments: gear confirmation.

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