Wolverine Blues Amp Settings
by Entombed
Original Recording Settings
Original Gear
- Guitar
- Not specifically documented for this album; likely similar Ibanez and B.C. Rich guitars
- Pickups
- Stock pickups (not documented) (bridge)
- Amplifier
- Likely Peavey combo with HM-2, possibly upgraded to Marshall for live
- Channel
- Clean channel (distortion from pedal)
- Tuning
- D Standard or Drop D (higher than Left Hand Path's B standard)
- Pickup Selector
- bridge
- Strings
- Not documented
Wolverine Blues marked Entombed's shift toward 'death 'n' roll.' The core HM-2 tone remained but was tightened and made more groove-oriented. Producer Tomas Skogsberg continued to refine the Sunlight Studios sound. By live performances around 1997-98, the band was seen using Gibsons through full Marshall Plexi stacks.
Amp Settings
Effects Chain
Playing Technique
More groove-oriented and rock-influenced than Left Hand Path. Slower, more deliberate riffing with a punk/rock swagger. Less blast-beat accompaniment means the guitar riffs breathe more. Palm-muted chugs alternate with open chord stabs. The playing is tighter and more controlled than the debut.
Sources+
- BOSS Articles — HM-2 article (Tom Dalgety quote about Wolverine Blues tone)
- Guitar World — Entombed/Sunlight Studios feature (Skogsberg confirms continued HM-2 usage)
- Tape Op message board — discussions about Entombed studio setup across albums
- SevenString.org — Entombed gear discussion (Peavey Bandit confirmation for early albums)
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